Included in Superblue’s debut installations is a work by teamLab, which created this 2017 interactive digital piece, with sound by Hideaki Takahashi, called Flowers and People, Cannot Be Controlled but Live Together - Transcending Boundaries, A Whole Year per Hour.
Photo: © teamLab, courtesy Pace Gallery

Miami’s Massive New Art Space Debuts with Immersive Works by James Turrell, Es Devlin, and More

Superblue, a 50,000-square-foot experimental art center, is slated to open early this spring in the city’s Allapattah neighborhood

As major artists like Nick Cave, Leo Villareal, and JR continue to brave new territory with their massive experiential installations, a groundbreaking new art center to experience these type of large-scale works is slated to open in Miami in early spring 2021. Superblue, a 50,000-square-foot center, launches with “Every Wall Is a Door,” which will include one of James Turrell’s light-based Ganzfeld installations as well as teamLab’s Between Life and Non-Life and a never-before-seen work by Es Devlin, entitled Forest of Us.

Exhibition view of teamLab's Every Wall is a Door (2020) at Superblue in Miami. Photo: © teamLab, courtesy Pace Gallery

“That’s the nature of experiential art—the work comes alive when you’re there to see it,” says Superblue cofounder and chief executive officer Mollie Dent-Brocklehurst. “It doesn’t just exist as an object. The teamLab work is talking to you, reacting to you. The Es Devin piece is created when you visit it because then it becomes fully alive.”

Rendering of Es Devlin’s never-before-seen work, Forest of Us (2020) which will debut at Superblue. Photo: Courtesy Es Devlin Studio

Located in the city’s Allapattah neighborhood, just across the street from Miami’s recently reimagined Rubell Museum, Superblue occupies a former large-scale storage facility that has been transformed into a blank canvas for dynamic works of experiential art. One of the first moments set to greet visitors will be Turrell’s semi-permanent installation Ganzfeld, which uses an all-encompassing wash of monochromatic color to create a disorienting sensation of floating in light.

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Rendering of the facade of the new Superblue experiential art center in Miami. Photo: Moris Moreno, Courtesy of Superblue

Also on long-term view is teamLab’s project, entitled Between Life and Non-Life, which melds three pieces into an interconnected experience that explores the relationship between humanity and the natural world. The installation—which brings together the global debut of a new work Life Survives by the Power of Life and a reimagining of earlier designs Universe of Water Particles, Transcending Boundaries and Flowers and People, Cannot be Controlled but Live Together—will constantly change in response to visitor interactions.

teamLab’s Proliferating Immense Life - A Whole Year per Year (2020). Photo: © teamLab, courtesy Pace Gallery

A third gallery was developed to offer artists a blank space to develop new ideas and host rotating exhibitions. For Superblue’s debut, this area will be home to Es Devlin’s newly created Forest of Us, that uses video, reflective surfaces, sculpture, and other media to offer an exploration of the respiratory system. Visitors must navigate a maze-like floor-plan only to emerge on a promontory that hovers above a body of water. “It was more driven by the art,” says Dent-Brocklehurst of the third gallery’s construction.

Rendering of Es Devlin’s Forest of Us (2020). Photo: Courtesy Es Devlin Studio

Long term, Superblue hopes to open additional outposts around the globe, giving more opportunities for art not easily installed in a traditional institutional setting and nearly impossible to acquire. In a nod to the latter, the immersive venue’s unique business model offers ticket royalties to the artists presented within. Says Dent-Brocklehurst, “It feels right that the artists bringing all those people should be the people benefitting.”

Cover: Included in Superblue’s debut installations is a work by teamLab, which created this 2017 interactive digital piece, with sound by Hideaki Takahashi, called Flowers and People, Cannot Be Controlled but Live Together - Transcending Boundaries, A Whole Year per Hour.
Photo: © teamLab, courtesy Pace Gallery

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